by Shane Conto, Staff Writer

What is one of the best parts of being a film fan at the beginning of a new year? There is usually a wonderful influx of international films to sink your teeth into. These films are gunning for the Best International Film spot at the Oscars, so they all start popping around for that buzz. These are the best of the best from all around the world, and that is an exciting prospect for any film fan. There are so many films from so many different countries, and we get to dive deep into the culture and the people. You just might find a film or two that will make you rethink your top films of the year. Utama has that written all over it.

What makes Alejandro Loayza Grisi’s this new Bolivian drama stand out so much as an Oscar nomination frontrunner? The aspect that most will notice quite quickly is just how gorgeous this film is. It focuses deeply on the land and the environment, so it is essential that the beauty of our planet, and this area specifically is highlighted. Cinematographer Barbara Alvarez is doing some big work making Utama one of the most visually striking films of the year. From the framing of our protagonists to the striking lighting that makes a pie on a table one of the most beautiful shots of the year, the cinematography is top notch. This one will most likely get that Best International Film buzz but in a just world; so will Alvarez.

What is this beautiful film even about? We have an older Quechua couple who graze their llamas and make a life for themselves out in the beauty of the land. But when the weather, temperatures, and droughts cause stunning damage to their livelihood, their life gets turned upside down, and their work is becoming threatened. Their grandson arrives (with younger and different views), and makes even more challenges. The film tackles some timely themes and engaging ideas. The most notable is climate change, as it shows the direct impact on the smallest and most vulnerable of people. We feel their struggle and feel the harm through this empathetic film. The generational conflict is an interesting addition as well, as we see how generations can cause issues when making major life decisions. Should they leave and find an easier life? Should they stick it out and stay true to their land and the life that they built? You can probably guess who feels each of these.

Does the story that Grisi writes match the beauty of the visuals and the richness of the themes? The plot feels simple and straightforward, but it is full of feeling and relatability. We see an older couple struggle to do the same things that they have been doing their whole lives. We see a community who must decide what to do when the problem at their doorstep is a global strife, and not something that this small community can process. We see a multigenerational household struggle to come together and overcome their differences. This is not a film that will make you feel fuzzy inside and get a happy ending — instead, it will challenge you with a reality that is imminent and poignant, making it even more impactful.

Does Utama deserve the buzz for awards season, and the smaller but powerful word of mouth that it is receiving? Absolutely. This is not only a beautiful film that is engrossing for every single frame it drenches in meaning, and dense in its themes. It will knock you down, challenge you to get back up, and see what you can do about it. Few films from 2022 can brag the same.

Score: 10/10

Utama is currently streaming on Kino Lorber


You can read more from Shane Conto, and follow him on TwitterInstagram, and Letterboxd