by Shane Conto, Staff Writer
Immigration is one of the most important topics being navigated in American society today. It will be one of the key issues that is on the forefront of voters’ minds in the 2024 presidential election. There are lots of strong feelings on the topic, and unfortunately it drums up plenty of prejudice and hate. But this isn’t a new thing here in the States. Immigrants have been treated so poorly over the years — Angel Studios brings this issue to the big screen in the form of Cabrini.
How does director Alejandro Monteverde approach such a significant topic? This concept and themes related to hate and prejudice are presented through an epic historical drama and biography of Mother Cabrini (Cristiana Dell’Anna). She worked to create a livable world for Italian immigrants within New York City, which was a haven Italian hate at the time. Cabrini is a significant figure in the Roman Catholic church, and her story is inspiring and full of hope. Monteverde makes it work and delivers a film that feels like Old Hollywood.
How do Monteverde and his crew capture the old school cinematic feel? First off, the production design and costuming are just top-notch. The film captures the real feeling of this time in New York City. Special shoutout to the impressive hairstyling, and specifically facial hair (looking at you, John Lithgow’s beard). The cinematography is impressive as well with, Gorka Gómez Andreu capturing the incredible scope of New City on the rise as a growth metropolis. There are a few inspired shots throughout the film which build tension in some of the more dangerous moments.
Does Cabrini deliver a compelling and engrossing approach to this famous nun’s story? There are a few elements that feel a bit diminishing. First off, the film hits “too long” status, as there are areas of the narrative that could be tighter. A few moments feel a bit over-the-top and melodramatic in their handling of real trauma and prejudice. The film does right by the real figure who inspired it, though, by not avoiding some of the more shocking elements of this story. There is no fear, either, in presenting this hate on screen, and that makes it more impactful. Cabrini is a great character study, as well as a hopeful, inspiring story in a modern time that is beginning to feel too much like this period drama.
Do the actors meet Monteverde in terms of elevating this biopic? Dell’Anna captures the distinct, strong spirit of Mother Cabrini. There is a resolute strength that Dell’Anna has in portraying this woman, who is smarter than anyone will acknowledge. The presence in her performance works so well in the face of hate. Lithgow is a perfect antagonist as Mayor Gould. He just has such talent, and he brings intimidation to his character with his powerful screen presence. David Morse has a more silent and complex turn as the Irish Archbishop. The nice surprise is seeing Italian screen star, Giancarlo Giannini, who makes the most of his handful of scenes as Pope Leo XIII.
Does Cabrini deliver an impactful and engaging biopic? Monteverde does a great job of capturing a classic feeling, while adding enough layers to make this biopic stand out. The balance of faith and organized religion is handled well, adding to the overall themes about overcoming hate and the true meaning of the American Dream. Angel Studios has done it again by delivering a well-made and well-told drama that captures plenty of significant themes and values.
Rating: Liked It
Cabrini is currently playing in theaters
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