by Chantal Ashford, Contributing Writer
‘Tis the season to embrace the unconventional! This Christmas, while the holiday film offerings may have been sparse, one stood out and truly caught my attention: Babygirl. Not your typical festive flick, this film dives deep into the complex realm of power dynamics and is sure to put you in a unique holiday spirit.
Directed by Halina Reijn, Babygirl is a tantalizing blend of sexy, dark humor and heart-wrenching moments. It constantly poses the tantalizing question: Who’s really in control?
Nicole Kidman delivers a masterclass performance as the tightly wound Romy, a sexually frustrated CEO grappling with the need to maintain her youthful facade and family life. Her emotional journey — shifting from vulnerability to confusion to an insatiable lustfulness — is absolutely mesmerizing. Enter Samuel (Harris Dickinson), the charming young intern who shakes up Romy’s meticulously controlled world.
The dynamic between Romy and Sam is nothing short of captivating. Romy, always used to being in charge, finds herself reluctantly surrendering control, and the rollercoaster of their relationship is thrilling to watch. Kidman navigates her character’s inner conflict masterfully, as she balances the struggle between maintaining her morals and the desire to indulge in her own wants.
Dickinson captures the aura of the young intern Samuel. Although he starts off appearing a bit dorky, it’s clear he possesses a charming side that draws everyone in. However, in the privacy of his encounters with Romy, another layer emerges: He’s demanding, intense, and cunning. His presence commands the screen, especially in a memorable scene when he makes a surprising drink choice for Romy on a night out.
Their chemistry is electric, and as their affair unfolds, it’s thrilling to watch. Their intimate moments — dancing around a lavish hotel suite, whispering late at night, or losing themselves in the energy at a club — offer a glimpse into their strictly physical relationship, punctuated by genuine flashes of their true selves.
Antonio Banderas brings depth to the role of Jacob, Romy’s playwright husband. He’s a devoted husband and father, ready to do anything for his family, yet finds himself obliviously giggling at Romy’s requests. The emotional turmoil he faces as the unaware third party lends an additional layer of complexity to the narrative.
Babygirl skillfully navigates the intricacies of power dynamics, steering clear of any predatory undertones — everyone is willing participants in this complicated dance. It’s a film that invites comparisons to Steven Shainberg’s Secretary, starring James Spader and Maggie Gyllenhaal, tackling similar themes with finesse.
In short, Babygirl is definitely worth watching, but just a heads up: This isn’t the kind of movie you’d want to share with your mom!
Rated: Loved It
Babygirl is currently playing in theaters
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